VOICE the MUSIC - music consultant Kate Brown. (KEIGHT)
Kate (Keight) has been teaching for over 20 years- Lessons and coaching in Piano, Guitar, Voice and Singing.
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KEIGHT HAS HAD VOCAL STUDENTS WITH:
CDMT agency in Mt. Pleasant SC, Millie Lewis agency in Charleston SC, Maultsby Talent in Wilmington NC, Destination Broadway in NY , The Carolina Opry in Myrtle Beach, SC., the Wilmington Celebration Choir, Palmetto Dance Starz, Mini Tribute Legends in Concert, special events @ Alabama Theatre, and in other choirs & bands around the area including National Anthem singers seasonally for the Pelicans of MB, Conway Super Stars, NMBHS Miss.Talent, Horry County Fair, Honor’s Choir and student auditions (and alumni of) the SC Governor’s School of the Arts & Humanities.
KEIGHT HAS TAUGHT VOICE WORKSHOPS AT:
the Myrtle Beach Education Center, Horry Geogetown Technical College, NMB Parks & Rec., and at Atlantic Coast Recording.
More on background and Training:Studied piano and music theory at Oregon State University, (Joseph Brye), voice/opera studies from: Maestro David Kyle, Brown Bradley, Coastal Carolina University Patti Edwards (language/diction), Claude Stein NY Open Center and Alexander Technique from Renaee Jackson, and guitar from numerous professional players.
Other notable piano teachers have been Nancy Constantine & Harvey Brooks - (Keight played piano in his jazz big band The Bluetones). She has 14 years experience playing piano for choirs both concert and jazz, (including performances and tours), along with playing piano nightly 2009-2010 at the Palace Theatre in Myrtle Beach, and for local churches. She also has 3 years experience playing flute in concert band.
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REVIEWS of Keight's (kate) original music and live performing:
Weekly Surge Magazine of SC calls Keight- (Kate Brown)
"the chanteuse and Coffee House Queen"...and in live performance, "one of the best singer/songwriter's of the southeast..",,, "harmonically adventurous chords and voicings that veer far outside the well trodden,,,"
TAXI calls one of her songs "recorded brilliantly". Other TAXI Reviews:.." Voice has some stylizations that remind me of the singers in the band Heart"..."she has a good command of her craft and a signature style"..."Original in style and overall approach.". ."Great singer/songs well written/cohesive".
"Major talent, great voice."...SuperFrog Productions
"Soulful, entrancing and moving. You have to stop and listen." ,,, Former WXDU Durham DJ Heather Okvat "
"...fantastic!..." The Palace Theatre, Myrtle Beach, SC.
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Keight has theatre experience casted in musicals and film experience, including as a child singing in the French film Itineraire D'un Enfant Gate, music by composer Francis Lai. She has also performed with the Carolina Master Chorale and played piano nightly at The Palace Theatre in Myrtle Beach SC. Playing in bands and as solo artist for over 20 years; she also performs acting in theatre productions.
Acting Experience
Acting Experience
PLAY/ *FILM ROLE DIRECTOR
Bhau Meets Wall Street Anita Spivey Joe Disabatino
Spoon River Anthology Amanda Barker, Mrs. Kessler, Paul Allen Margaret Slack Fuller, Mrs. Merritt
Oz Meets Midsummer's Night Dream Puck Joe Disabatino
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MAESTRO DAVID KYLE
L'Amore Divino in Portofino | Rosie | Joe Disabatino |
L'Amore Divino in Portofino | Tino (1933) | Joe Disabatino |
Peggy's Funeral | Loretta | Act Two Prods. Paul Allen |
Heartbreak Hotel | Satyr | Joe Disabatino |
The Missing Book | Keight | Joe Disabatino |
The Gaslight Club | Nancy Turner | Act Two Prods Paul Allen |
On Stage | Earnest | Act Two Prods.Paul Allen |
Three Fools From the Future | Fool 2 | Joe DiSabatino |
Anthony and Antoninette | Margo | Joe DiSabatino |
*All Hallow's Eve | extra | Git's Entertainment |
Sketch-Acts | players | MICT |
*Itineraire D'un Enfant Gate | Singing Peasant | Claude Le Louch |
Oliver! | Charlotte | Boterweg |
Oliver! | Rose Lady | Boterweg |
HMS Pinafore | Sailor | Boterweg |
Hey George! | Farm-girl | Boterweg |
MAESTRO DAVID KYLE
- Vocal teacher for rock, metal and jazz singers for over 50 years, David Kyle, The “Maestro” became a local Seattle icon and was considered by the industry to be one of the best vocal instructors for contemporary singers in the country. Unique to the “Maestro’s” approach was his method for expanding vocal range into multiple “registers”, while eliminating psychological barriers that hinder singers’ freedom of expression, by use of creative visualization techniques.
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